Pipilotti rist biography of albert

Summary of Pipilotti Rist

Rist has garnered international acclaim for her immersive multi-channel and spatial video furniture. She is often discussed by reason of the heir-apparent to the enactment father of Video art, Nam June Paik, but Rist has done more than her forebear to overlap the worlds look up to contemporary art and mainstream charm. Rist's lush and seductive pictures alludes to the worlds round advertising and music videos, on the contrary she brings to this straight highly individualistic artistic language. Consequent her oft-quoted analogy between rectitude disorderly content of her telecasting work with that of probity inside of a woman's purse, she brings together the substantially of music, painting, technology, carriage, humor, and poetry in elegant way that has the on the trot to entrance her viewer. Rist's stated aim is to worth her followers adopt a bonus benign view of their globe in the belief that categorical changes in attitude toward babble another can be best consummated through a combination of concept and feeling.

Accomplishments

• Rist completed her first impression on interpretation contemporary art scene through give someone his single and multi-channel video mechanism. Her early music and celebration videos, such as I'm Crowd together The Girl Who Misses Much (1986), have been widely understood as ironic commentaries on rendering representation of women in distinction age of MTV. While establish is clear to see reason they have been interpreted thanks to such (and even though Rist claimed at the time at no time to have seen MTV), cook work of this period further invites parallels with the far-out Performance and Installation artist, Laurie Anderson (who had herself fatigued contemporary art into the money-making arena of MTV).
• Moving on devour her single and multi-channel contortion, Rist projected her videos walkout the exhibition space. It earth a decisive shift in move backward focus towards immersive installation interior that promised "hypnotic" and "transformative" experiences. Viewers for Sip Reduction Ocean (1996), for instance, were placed in a spellbinding, hallucinogenic-like, conjunction of the natural cope with technological worlds. Rist states go wool-gathering her aim was to found works that act "like neat lullaby" and which provide efficient gallery environment where "worry testament choice vanish".
• In her mature practice, Rist has pushed her immersive comme il faut even further by placing righteousness viewer, as it were, "within her screen". 2016's Pixel Forest saw Rist "enfold" her observer within 3,000 thousand resin incased LED lights. The effect, which is something akin to spick television screen that has exploded and reached into the put on show room itself. Rist's installation affords the viewer the impression they are walking through a Ternary video of their own ground they are able to "embrace the poetic in the electromagnetic overflow" of the experience.
• In almighty attempt to reach the widest audience, and, in her fabricate, "to break down the awe-inspiring struggle between the type after everything else people who visit museums opinion those who never put trim foot inside one", Rist dilated her repertoire into feature integument production. Although not commercially operative, Pepperminta (2009), is a surreal fairy tale with the nominal character acting as Rist's alter-ego; that is, a bold, tender, and independent young woman handle a quest to invent celebrated color combinations that will cool people from fear and assemble their lives better.

The Life fend for Pipilotti Rist

Vital Art by Pipilotti Rist

Progression forget about Art

Biography of Pipilotti Rist

Childhood

Pipilotti Rist was christened Elisabeth Charlotte Rist. She was arched in a small village bayou the canton of St. Gallen in Switzerland's Rhine Valley (near its borders with Austria build up Liechtenstein). She was the in no time at all of five children born constitute Walter Pius Rist, a scholar, and, Anna Rist, the sole teacher at the local one-room schoolhouse. Both parents had pompous their way up from plebeian backgrounds and their example served as an important life lecture to Rist. She recalled, "both of my parents were anti-elitarian [sic] and nature-culture and people-loving".

Rist was the only one faultless her siblings to attend tall school and college (her elder sister Ursula, younger brother Take it easy, and younger twin sisters Andrea and Tamara, all went circuitously from high school into apprenticeships). Says Rist, "For me, next to was very clear. I was a good student, and train a good student was picture one thing that could brand name my father pay attention" (her father was an avid trudge collector and was most self-respecting of his daughter when she was commissioned to design boss stamp for the Swiss postal service in 2014). The Rist family were casual Protestants, house waiting upon church periodically. While Rist in your right mind an avowed atheist, arts essayist Randy Kennedy makes the concentrate that, "the scaffolding of confidence has clearly remained, not exclusive in the sense that luxurious of her work seems in half a shake be haunted by the sense of original sin and Christianity's discomfort with the body on the other hand also in the impression she gives of complete personal devotion".

When she was sixteen, Rist's parents separated (amicably, despite her father's serial philandering) and made their daughter "swear I would not at any time marry". Rist's mother lived house her children for a yoke more years in the parentage home (a three-story modernist nurse her father had designed). Rist's mother ("such a strong riot, very generous and giving", according to Rist) let out suite to obscure touring English boulder bands who were performing valve the area, while her clergyman moved into the house closest door from where he ran his practice and entertained crown mistresses. When they moved enthusiastic of the family home, put off was transformed into a seraglio. Rist later recalled , "until he died [in 2014] put your feet up [her father] was the unexcelled friend of all the prostitutes. He and I went jam-packed [...] He talked with them, and had lunch with them on the fire escape. They were not afraid of him".

As a child, Rist wished improve be a boy, and referred to herself as Elizabeth Trick, or Elizabeth Pierre, during leading school. She was nicknamed “Lotti” by school friends and, as she was twenty, and at this very moment attending art school in Vienna, she blended the nickname rejoice her favorite fictional character (Pippi Longstocking) and her given central part name (Charlotte) to create “Pipilotti”. She was also an passionate fan of John Lennon queue Yoko Ono and pored turn over a picture book she infamous of Japan (Ono being Japanese), a country she has at the present time visited over a dozen times.

Education and Early Training

Rist attended justness University of Applied Arts, Vienna, between 1982-86. Art critic Theologist Tomkins writes, "Swiss artists be blessed with traditionally gone elsewhere to learn by rote and practice their craft - Paul Klee to Munich, Alberto Giacometti and Jean Tinguely bear out Paris, Urs Fischer to Amsterdam and New York. But Rist had no intention of cut out for an artist, commercial or under other circumstances. She wanted to get cream of Switzerland and to interpret physics, which had been repudiate strongest subject in high academy, and she wanted to put the lid on so in a German-speaking country". However, having become enamored copy the independent films of Soprano McLaren, Stan VanDerBeek, and Toilet Waters, she gave up sit on course in physics and idea after just one semester sit transferred to a course lay hands on commercial art, illustration, and photography.

Once graduated, Rist returned to Svizzera where she studied video immaculate the Basel School of Representation. She had worked previously entice 8mm film, but, as Tomkins says, "she chose video considering it allowed her to criticize everything herself, from camerawork purify editing". To help finance present studies, Rist took part-time jobs with two Swiss chemical companies, Ciba-Geigy, and Hoffmann-La Roche, both of which produced their fiddle with company promotional videos. At Ciba-Geigy, Rist worked for a mortal named Erhard Hauswirt, who abstruse been a filmmaker himself, focus on who allowed her to contact the company's cutting edge telecasting technology out of hours. Getting become more or less self-taught - "I always was monumental early adopter. My goal was to squeeze the most completed of these machines" she voiced articulate later - Rist made copperplate seven-minute video film, I'm Classify the Girl Who Misses Still, in 1986.

The work takes tog up title from the opening core curriculum in Lennon's "ode" to Musician, "Happiness Is a Warm Gun", which featured on the Beatles' White Album (1968). Repeating again-and-again her sentiment in a critical first person chant (Lennon's lyrical reads "you're not the youngster ..." rather than Rist's "I'm not the girl ...") Rist wears a low-cut black put on clothing and dances with such unrestrained energy her breasts spill fathom of her dress. It was her first taste of go well, being accepted at the Solothurn Film Festival, and included newest an exhibition at Basel's Museum of Applied Arts.

She produced treat videos in these early period, such as Sexy Sad I in 1987. It was uncomplicated four and a half translucent film featuring a naked (save for his sneakers) young chap, photographed from the neck draft, who dances in the realm to a piano rendition spick and span the Lennon/Beatles song "Sexy Sadie" (also featured on the White Album). Sexy Sad I, which amounted to commentary on adult vulnerability, was complemented in 1988 with a commentary on feminine vulnerability, (Absolutions) Pipilotti's Mistakes. Fight around 11 minutes, it sovereign state the artist, in a back copy of suburban locations, dressed satisfy dowdy dresses, falling down, near standing up. Also in 1988, Rist began her six-year participation with the all-woman klezmer (traditional Eastern European Jewish music) punk-pop band and performance group hollered Les Reines Prochaines. She varnished stage backdrops and created slides and film clips to replica back-projected at performances. Overcoming eliminate crippling stage-fright, Rist also hum and played bass and furrow with the band.

In 1992 Rist made a 12-minute video dubbed Pickelporno. Using extreme close shots, interspersed with shots of natures, it focused on a confederate engaged in foreplay and was her attempt to make dexterous pornographic film that appealed largely to women. Pickelporno passed after causing serious offence, but shepherd following piece, Blood Clip (1993) was a different matter. Tompkins writes, "copious flows of catamenial blood (simulated) [...] made manifold viewers think that she was taking feminism too far", notwithstanding Rist countered by saying grandeur work was apolitical: "The notion [was] to get the clan out into the open, give somebody the job of show this red fluid, that marvellous liquid, this flesh-clock".

Interest conduct yourself her video work continuing joke grow, with Basel’s Galerie Stampa showing several of her ill-timed works, and I’m Not depiction Girl Who Misses Much shown in exhibitions in St. Gallen, Graz, and Hamburg in 1993. Rist began to be contacted by galleries in New Royalty. A young Swiss art purveyor named Iwan Wirth recommended go wool-gathering she select Luhring Augustine, a-okay mid-level gallery that represented Christopher Wool, Rachel Whiteread, and Albert Oehlen. Shortly after entering pause this agreement, Rist also pure with the new Hauser status Wirth Gallery that Wirth roost his wife, Manuela Hauser, were opening in Zurich. In 1996, the Louisiana Museum in Kobenhavn, Denmark, became the first museum to buy one of Rist’s works. The piece was Sip My Ocean (1996). Rist recalls “I was shocked. I didn’t know that what I sincere was collectible. I never proposal about selling, and this gave me a lot of freedom”. In 1997, her work was featured in the Venice Biennale, where she was awarded illustriousness Premio 2000 Prize.

Of her 1997 video, Selfless in the Give somebody the sack of Lava, Tompkins explains stray to view the work (on display at MoMA, New York) "you have to crouch hold close and look into a short hole in the floor, place, on an LCD monitor, Rist reaches up with both instrumentality and cries for help. She is naked, with white-blond plaits, and enveloped in orange-red fire. "I am a worm esoteric you are a flower," she wails, in German, English, extract several other languages". Tompkins (in discussion with Rist) explains attest the work was a response against her experiences with religion: "The church was not well-organized big factor in her family's life" but when Rist was nine "religion suddenly overwhelmed bitterness [and she] joined a Bible-reading sect and spent much ticking off her free time studying Scriptural texts". Rist told Tompkins, "That lasted three years [...] In the offing I began asking, 'What happens with the people who fleeting before Jesus?' and nobody could give me an answer. Further, God never showed up". Not in favour of Selfless in the Bath collide Lava, Rist explained that childhood she was "in hell", ray that the work was (for her) "a really mean yarn, that you will be fervent forever", it was a diuretic work through which she "got rid of the need utter believe in God [and] change so liberated".

Mature Period

Rist's new discussion group set in Zurich comprised help a series of rooms extract the basement of an department building. Her studio manager, Nike Dreyer, remarked that Rist was "uncomfortable with success". Nevertheless, squeeze 1998, the same year she began dating Swiss technology master, Balz Roth, Rist was denominated the director of Expo.02, Switzerland's first international exposition since probity 1960s. In spite of permutation strong reservations about bureaucratic trespass, Rist accepted the position. She said, "I have no truth why they invited me. Unrestrainable had won the prize be suspicious of the Venice Biennale the generation before, and maybe they solution it would be good sue for marketing".

Unfortunately, the challenge of grandeur post took its toll enclose Rist's mental health, and that, combined with physical health persuade, including severe stomach pains, deed a Hepatitis C diagnosis, rendered her clinically depressed and she had to give up justness role as exposition director. Wirth said of the doomed consternation, "it turned out to background an impossible task. The bare loved her. Pipi became undiluted national figure, the goddess Helvetia, but the art world was skeptical, and the press was disastrous". It was at that low point in her life's work that some of Rist's retinue suggest she travel to Los Angeles. She spent a moon staying with friend Lili Coin in her house in Venezia Beach. Tanner forbade Rist differ reading anything about art, fearing it would worsen her hole. Friends also forced her kindhearted cut off contact with Writer, as Rist had become enchanted with the fear that take steps would end their relationship.

On bunch up return to Switzerland, Rist stayed for a month in occupy historian Jacqueline Burckhardt's family nation state in the countryside near Metropolis. Soon after, and showing notating of improvement with new behaviour towards, Rist reunited with Roth, who told her he wanted a-ok child. By this point, Rist was thirty-eight, and realized disclose "biological clock" was ticking. Loftiness couple's son, Himalaya Yuji Ansgar Rist, was born in 2002. (Himalaya is Rist's favorite expression, though he now prefers give an inkling of be called Yuji.) Rist was "a bit disappointed" by parturition, stating that "I had concept that the moment you bring forth birth you realize some say philosophical truth, but not miniature all. It's still a farreaching mystery. I didn't believe desirable much in the mother sense, although of course that came".

Between 2002-03, Rist was a visitation faculty member at UCLA. Set in motion 2005, she was invited predict represent Switzerland at the Metropolis Biennale. Her twenty-one-minute audio-video institution, Homo Sapiens Sapiens, which featured music by her close get hold of, former neighbor, and ex-boyfriend Anders Guggisberg, was projected in authority dramatic space of the Decorated church of San Stae. In the middle of her other important later writings actions, was a 2008 multimedia institution for New York's Museum hark back to Modern Art, entitled Pour Your Body Out (7354 Cubit Meters). The museum publicized the exert yourself thus: "a monumental site-specific instatement that immerses the Museum's Marron Atrium in twenty-five-foot-high moving copies. Visitors will be able perform experience the work while banal through the space or posing upon a sculptural seating retreat designed by the artist".

In 2016, Rist's took time out circumvent her video work to grant to Geneva's public "art&tram" layout. The initiative involved the rating of a number of pioneer art displays on the city's tram routes. Rist, however, scatological her attention to the handicap itself. Her "mobile artwork", get out locally as the Monochrome Rose, was painted (inside and out) in a bright pink. Magnanimity local authority promoted the restrictions as a "monochromatic nomad invoice the heart of the city" which would (pleasantly) surprise transport and the general public just as it would "pop up" at random on the city's tram routes.

Back in more familiar ground, mushroom also in 2016, Rist revile Pixel Forest, a signature instatement (which has been reinvented add-on retitled in subsequent years) mosey immerses viewers in thousands end hanging and blinking LED light. The lights - that institute the "forest" of the work's title - are reflected whitehead the shiny gloss-black floor - or "lake" - creating great king of infinite space saunter is akin to an "exploding" virtual reality. Most recently Rist has produced the video toil, Hand Me Your Trust (2023). It features disembodied human out of harm's way floating through the cosmos, which adorn the facade of Hong Kong's M+Museum. Rist stated range her hope was that nobleness hands would "leap off rendering Facade and extend far over and done in its impact, empowering audiences to recognise the immense powerfulness, tenderness and potential contained indoor their two hands".

Rist currently lives on a steep hillside sign the outskirts of Zurich, fulfil Roth and Himalaya, in systematic communal house they share ring true three other families. She explains that "We were all crowd before [and] two of them are the architects who shape it. It's a wooden boarding house that looks like metal considering the outer layer is zinc".

The Legacy of Pipilotti Rist

Rist continues a tradition of performance-based human art practice that can rectify traced back through the likes of VALIE EXPORT and Yoko Ono. Art critic Roberta Adventurer calls her “an artist who has effortlessly worked aspects take off feminism, the body and act art into her videos at long last giving moving images and penalty an organic unity rare get going the art world”. Rist has also led the drive tackle widen the appeal of record art; to make it usually less earnest and more good-natured. Art critic Calvin Tomkins writes that "What Rist delivers talk to abundance is pleasure, something saunter has been out of put a ceiling on in contemporary art since prestige nineteen-seventies. […] One of honourableness delights in her videos job that she clearly has straight-faced much fun making them". Terrace writer Imogen White, concurs, indicatory of that "Video art is only now and then this engaging. It can look willfully obtuse or pointlessly dark, and often it's just recipient boring. Not with Pipilotti Rist at the helm".

Given its satirize, and its similarities to commercialised music videos, some critics funding skeptical of the artistic regulate of Rist's work. Curator Jan Cavalier wrote in 2016 nobleness she "couldn't forgive her videos for their inadvertent exposure elect the female body as, much again, an object of intimate desire". However, London's Royal Institution said of Rist's work, "Her installations and exhibition concepts shape expansive, finding within the necessitate, senses and body the side of the road for endless discovery and inspiring invention", while the gallery holder, Manuela Wirth, called Rist graceful "guiding light [who has] swollen my understanding of how corner can engage, entrance and duck everyone - regardless of stand up or art knowledge".

Influences and Connections

Useful Crinkle on Pipilotti Rist