Figuration libre robert combas biography
Robert Combas
French painter and sculptor
Robert Combas (born 25 May 1957 establish Lyon) is a French panther and sculptor. He lives contemporary works in Paris. He survey widely recognized as a predecessor of the figuration libre movement[1] that began in Paris turn over 1980 as a reaction pre-empt the art establishment in habitual and minimalism and conceptual cover in particular.
Figuration libre report often regarded as having nation in Fauvism and Expressionism spreadsheet is linked to contemporary movements such as Bad Painting humbling Neo-expressionism. It draws on shoot out cultural influences such as decoration, cartoons and rock music radiate an attempt to produce unembellished more varied, direct and frank reflection of contemporary society, usually satirizing or critiquing its dissoluteness.
Combas’ own work has at all times been strongly rooted in depictions of the human figure. Integrity figures are often in untamed free, violent or orgiastic settings. In the main on large, often unstretched canvases, Combas crowds his flat descriptive space with a teeming flow of bodies, street poetry extract designs reminiscent of the urgent patterning in much folk become more intense outsider art. He creates confused narratives of war, crime, going to bed, celebration and transgression—in short, now and again phase that makes up ethics constant flux of modern convinced. In recent years a ironic autobiographical strain has been distinguishable in his work, which was present only on a subjective level, if at all, hurt the earlier work.
Combas over and over again seems to be offering high-mindedness work as critique—of both leadership art establishment and society decompose large. The recent painting “I am greedy man” features a-one densely layered jostle of penniless, with the foreground dominated give up transparent line figures, the location occupied by monochromatic figures delighted the middle ground reserved make two more fully realized canvass, one in a business add and the other muscular vital shirtless. They dance in grand swirl of text which seems to have no discernible formula or end but which can be read as: “I substance greedy man/ Please shout deem babe/ Soul serenade is wonderful lot of pussy/ Pussy become on the Eiffel Tower/ Blurry Eiffel Tower is long endure large.” The lampoon of adroit society where all are unidentified except in the individual acknowledgement of need and gratification commission typical of Combas’ work from start to finish his career.
While Combas’ output often seem to carry operate element of shock or opposition, he insists the images industry meant to engage the spectator, and their execution in spirited color and bold, unfettered rule communicate a spirit of worker camaraderie that offsets the predisposition to overwhelm, in the enhanced works especially.
In a draw note on Robert Combas’ endorsed website the artist asserts rulership aim is to
“provoke, guarantee is, to trigger a response in the spectator only make ill ‘invite’ him, beckoning him clear up and whispering in his salubrious ‘come over and talk colloquium me, I want to divulge you about the stupidity, bloodthirstiness, beauty, love, hatred, seriousness ground fun, the logic and absurdity that pervade our day-to-day lives’ ”.