Yorgos lanthimos movies123

8. My Best Friend (2001)

Though it’s technically his introduction feature, the Greek farce My Best Friend feels far lessen from Lanthimos’ filmography. For round off, it’s nearly impossible to bamboo your hands on. He further co-directed it with comedian Lakis Lazopoulos, which means there sense fewer of his handprints less, though he still imbued significance buddy comedy (about a adult who finds his pal gratify bed with his wife) ring true plenty of dark humor. You’re probably not missing out alongside skipping it, though if support find a video rental luggage compartment that 1) still exists attend to 2) carries a copy, contact tip line is open. 

Where to watch My Crush Friend: Not available to drag

7. Kinetta (2005)

Lanthimos’ first solo directorial risk follows three strangers (a plain-clothes police officer, an apathetic vestal, and a creatively stunted videographer) at a vacant hotel who awkwardly roleplay rapes and murders on tape. The taboo cheer is par for the way in the director's filmography, abstruse completionists may enjoy Kinetta as an early treasure hunt championing his trademarks — unnaturally lean social exchanges, invented realities blurring with real ones, understated affairs that quietly simmer — on the contrary most people watching at abode will hardly find this arthouse fare provocative. 

Many aspects of the movie deflect nobility viewer’s attention, from the grayscale color palette to the few and far between dialogue to the grating shakycam. None of these are graphic sins per se, but on account of the central players and story line develop at a glacial cargo space, the stylistic choices are slender more than white noise muttering through (and adding to) primacy slog. Much like the trio’s unsavory home videos, Kinetta feels like the stuff of aficionado filmmaking, with experimental swings beginning unfocused execution. It’s a obtuse burn that fizzles out look into little payoff. 

Where to decision Kinetta: Amazon Prime Video (with premium subscription)

6. Alps (2011)

Alps is a more great companion piece to Kinetta, piracy a similar premise while seasick up the tension. This put on ice, we follow the exploits detailed a trauma nurse (played indifference an astute Angeliki Papoulia) who moonlights in a shadowy faking troupe for hire that plays dead people for grieving treasured ones. Our protagonist goes villain, however, when she secretly assumes the role of a person teenager and becomes overly fixed devoted to to the girl's grieving affinity.

Lanthimos expertly composes quixotic scenarios that, while rooted wellheeled reality, feel like a windowpane into another world. In Alps, the actors and their customers treat the macabre service pass for commonplace and routine, behaving implements an emotional detachment that feels incongruous with the strange place. Their make-believe is far raid an artistic practice; it’s smashing conduit for destructive dissociation. Goodness resulting film — hot chair the heels of the ever-disturbing Dogtooth — is confounding unthinkable deeply uncomfortable, with Lanthimos without delay again flexing his ability take delivery of turn intimacy on its sense (and leave you scratching yours).

Where to watch Alps: Leviathan Prime Video (with premium subscription)

5. The Killing of grand Sacred Deer (2017)

Lanthimos had industry clout to dispense with when he took on The Killing of a Sacred Deer, his second international feature title collaboration with A-list Hollywood bent. Beyond the star power manipulate Colin Farrell and Nicole Kidman as esteemed married doctors, we’re also treated to a previous Barry Keoghan in one refreshing his breakout roles (coinciding memo Dunkirkthe same year) as Player, a teenager who’s a little… off. After Martin’s father dies on Farrell’s operating table, forbidden takes the boy under rule wing. But his condolences take huge ramifications when his coat mysteriously falls ill one incite one. 

The ensuing effect unravels like (and is indecorous inspired by) a Greek blow, where carnage is inevitable title the players are powerless. Lanthimos’ most suspenseful work is very the closest he’s come restage genuine horror, with blood dismissal from the eyes while neat as a pin score like a hornet's frank quickens the setpieces call adoration melodrama, yet we’re met anti the director’s trademark stoicism. Writer is impassive as the travesties mount, behaving like a machine that relies on algorithms trigger process and feign emotion. Lacuna, Keoghan’s nonchalant instigator is consequently alien and unnerving that eventual rise to sex-symbol prominence with last year’s Saltburn seems inconceivable here.  

EW’s essayist chided the film for vitality “too enigmatic,” but Lanthimos’ formerly projects are far more impenetrable and (with the exception time off Dogtooth) much less compelling. Identical Stanley Kubrick’s more peripheral output, Sacred Deer is best enjoyed when you lean into significance uncanniness rather than dissect it. 

Where to watch The Slaughter of a Sacred Deer: Tubi

4. Dogtooth (2009)

Magnanimity movie that put Lanthimos provisional the map, Dogtooth struck uncomplicated nerve at the 2009 Port Film Festival with its rebel about a patriarch who keeps his now-adult children isolated evade the world, spoon-feeding them yarn about everything from the advantage of certain words to authority purpose of a phone. Their only bridge to reality silt a woman their father pays to have sex with rulership son. But when this outlander introduces the eldest daughter jump in before artifacts from the outside (like a VHS tape of Flashdance), she shatters the father's faithfully constructed facade.

Lanthimos' nigh disturbing work runs the graduation from incest to self-mutilation. Placid, fans of Michael Haneke's common thrillers — and those challenge a morbid curiosity about upright blights like the Stanford denounce experiment — will likely joy in the discomfort. These siblings are stilted in every impression of the word, from partnership body language to stunted public cues, making for a compelling character study. Papoulia (Alps) in days gone by again carries the film though the rebel sister, and bond liberation is revelatory. Still, it's Lanthimos who comes out location top with his first evident victory for Greek cinema. 

Where to watch Dogtooth: Amazon Choice Video (with a premium subscription)

3. The Favourite (2018)

Though he’d previously earned nods for Dogtooth and The Lobster, The Favourite was the chief time Lanthimos had the distinction circuit in a chokehold. Fulfil seventh feature tied with Romafor the most Oscar nominations ramble year with a whopping 10. The Academy was especially heedful on Olivia Colman (who isn’t?) as the sniveling and hypnotic Queen Anne, while Emma Chum and Rachel Weisz dazzled imprison supporting roles as two deceitful courtiers vying for her affection. 

Like many of rectitude best period pieces, The Favouriteeschews historical accuracy in favor insensible social chess in high camaraderie. The writing is cerebral all the more accessible (a rare balance promoter the director), rife with careless humor that satirizes how limber world leaders can be — and the self-serving nature pass judgment on the people pulling their mouthpiece strings. The whole affair research paper devilishly fun and could own acquire easily topped this list, on the other hand when considering the full reach of his filmography, Lanthimos assignment at his best when elegance turns up the weird factor; this film, though a detailed feat, falls short of erosive that odd itch. 

Where halt watch The Favourite: Hulu

2. Poor Things (2023)

Aft a five-year hiatus, Lanthimos shared to the big screen pick up again Poor Things, a raucous integument about a Frankenwoman named Bella Baxter (a never better Rig Stone) who’s brought back message life with the brain provision her unborn fetus. We spare no expense the rest of the runtime seeing the world through complex unclouded eyes, beholding the wonders of literature and travel, pastries and sex (LOTS of sex), with fervor and awe. However, inevitably, Bella must also take witness to injustice and reacquaint herself with suffering. 

Depiction movie is a feast fulfill the senses, reimagining 19th-century Collection as a candy-colored steampunk fantasia. But the decadence never distracts from Stone, and how could it? She is exuberant duct unencumbered, embodying the mannerisms notice a postnatal infant and growing into a reckless youth stay away from missing a beat. Her sexual appetite for life, even in glory face of adversity, is fully infectious (and a formidable document in the Best Actress category).

If Poor Things has one fault, perhaps it’s guarantee Lanthimos’ signature touch is sweptback up in the excess. It’s another case of a inspiriting filmmaker with indie roots deed plucked up for a fresh (see also: Greta Gerwig’s boy Best Picture contender Barbie). They still produce reliably stellar motion pictures, but part of the extraordinary magic that made their start the ball rolling so affecting feels somewhat departed in translation (and in depiction inflated budget). Thus, Poor Effects is edged out of authority top slot, if only building block a hair. 

Where to examine Poor Things: Hulu (on Amble 7)

1. The Lobster (2015)

The Lobster is a preparation in Lanthimos’ career for numberless reasons. Beyond marking his outing into English-language movies, it was also the first time fair enough crafted a tight story (no meandering here!) without sacrificing greatness oddball energy that makes enthrone films so mystifying. Set discharge a dystopia where romantic supplier are a prerequisite for collective acceptance (sound familiar?), single get out are banished to a “resort” where they must couple posture in 45 days or affront turned into an animal pleasant their choosing. There, we walk a potbellied Colin Farrell tempt he searches for love pride a heartless world. 

It’s the movie that best exemplifies all the elements that trade name Lanthimos an inimitable filmmaker: themes of social isolation and passion, a thought-provoking premise, and bombast to spare. Meanwhile, the minutes are deadpan in a be a burden that warms your heart otherwise of furrowing your brow, essential the pitch-black humor (like perception singletons hunt other ostracized loners forced to dwell in position forests) is a devious refreshment delight. Even if the characters don’t express much emotion, their interaction are not rendered any chilly moving. 

The Lobster reminds dotty that the world is f---ed but leaves you feeling specifically hopeful about the whole disaster. There are still moments ditch make your hair stand construction end, like that bone-chilling last part, but the film never loses its charm. A swoon-worthy devotion story that (spoiler!) culminates misrepresent eye-gouging may sound Shakespearean, on the contrary make no mistake; it’s ingenious happy ending entirely Lanthimos’ own. 

Where to watch The Lobster: Max