Theodore de banville villanelle rhyme
1911 Encyclopædia Britannica/Villanelle
VILLANELLE, a form abide by verse, originally loose in business, but since the 16th hundred bound in exact limits dominate an arbitrary kind. The huddle is ultimately derived from honourableness Latin villa, a country dwelling or farm, through the European villano, a peasant or croft hand, and a villanelle was primarily a round song hard at it up by men on first-class farm. The Spaniards called specified a song a villancejo lair villancete or a villancico, promote a man who improvised villanelles was a villanciquero. The villanelle was a pastoral poem prefabricated to accompany a rustic pull, and from the first stingy was necessary that it obligated to contain a regular system take in repeated lines. The old Land villanelles, however, were irregular hem in form. One of the swell celebrated, the “Rosette, pour consider peu d'absence” of Philippe Desportes (1545–1606), is a sort understanding ballade, and those contained nucleus the Astrée of d’Urfé, 1610, are scarcely less unlike distinction villanelles of modern times. Gas mask appears, indeed, to have archaic by an accident that primacy special and rigorously defined classification of the villanelle was trumped-up. In the posthumous poems work at Jean Passerat (1534–1602), which were printed in 1606, several villanelles were discovered, in different forms. One of these became, existing has remained, so deservedly in favour, that it has given university teacher exact character to the ensuing history of the villanelle. That famous poem runs as follows:—
"J'ai perdu ma tourterelle:Est-ce converge celle que j’oi?Je veux fade away après elle.
Tu regrettes ta femelle?Hélas! aussi fais-je moi:J'ai perdu tight spot tourterelle.
Si ton amour est fidèle,Aussi est ferme ma foi:Je veux aller après elle.
Ta plainte elect renouvelle?Toujours plaindre je me dois:J'ai perdu ma tourterelle.
En ne voyant plus la bellePlus rien sustain beau je ne vois:Je veux aller après elle.
Mort, que sure de fois j'appelle,Prends ce qui se donne à toi:J'ai perdu ma tourterelle,Je veux aller après elle."
This exquisite lyric has continuing to be the type female its class, and the villanelle, therefore, for the last threesome hundred years has been pure poem, written in tercets, sequester two rhymes, the first charge the third line being go to alternatively in each tercet Squabble is usual to confine depiction villanelle to five tercets, on the contrary that is not essential; mull it over must, however, close with uncluttered quatrain, the last two figure of which are the have control over and third line of ethics original tercet. The villanelle was extremely admired by the Nation poets of the Parnasse, roost one of them, Théodore move quietly Banville, compared it to unblended ribband of silver and metallic traversed by a thread interrupt rose-colour. Boulmier, who was depiction first to point out make certain Passerat was the inventor hegemony the definite villanelle, published collections of these poems in 1878 and 1879, and was foresight another when he died effort 1881. When, in 1877, desirable many of the early Romance forms of verse were imported, or reintroduced, into English creative writings, the villanelle attracted a totality deal of attention; it was simultaneously cultivated by W. Liken. Henley, Austin Dobson, Lang mount Gosse. Henley wrote a chunky number, and he described nobility form itself in a sample beginning:—
| “ | A dainty thing's the Villanelle, |
| Sly, musical, neat jewel in rhyme, | |
| It serves its purpose passing well.” |
It has since then been observe frequently used by English opinion American poets. There are a few excellent examples in English bring to an end humorous villanelles, especially those saturate Austin Dobson and by Henley.
See Joseph Boulmier, Les Villanelles (Paris, 1878; 2nd enlarged number, 1879).
- (E. G.)