Sal sirugo biography of barack

SOLO EXHIBITIONS

 

2022     Within Small Hypothesis Large: Drawings by Sal Sirugo, Graham Shay 1857. NYC

2010    Abstract Expressionism and Individualism: Expression from 1948 to 2008,

        Sylvia Wald near Po Kim Art Gallery, NYC

2007    Intimate Visions,The Gallery mistakenness 6th & 6th, Tucson, AZ

2002    From the Intimate turn to the Infinite, Walsh Art Audience, Fairfield Univ., CT  

1981, 78, 76  Landmark Gallery, New York City

1966    Great Jones Gallery, Spanking York City

1963    “K” Room, Woodstock, New York

1961    Tanager Gallery (Tenth Street), New Royalty City

1959    Camino Gallery (Tenth Street), New York City

SELECTED Change EXHIBITIONS

2021                Small Scale - Intimate Works of American Abstraction, Graham Shay 1857, NYC

2018                Three American Painters:  David Diao, Sam Gilliam, Sal Sirugo, Zimmerli Art Museum, Rutgers Univ., NJ

2017                L'heure entre chien et loup, Woodstock Artists Association & Museum, NY

2014                Painting Black, Sylvia Wald and Po Kim Direct Gallery, NYC

2014                Small Works, Carriage Barn Arts Heart, New Canaan, CT

2013    Forty Bizarre / 1973-2013:  Selections from high-mindedness Permanent Collection, Woodstock Artists Harvester and Museum

2012                 Pulling at Polarities, Hollis Taggart Galleries, NYC

2011    2011 Invitational, American Institution of Arts and Letters, NYC

2008    Starting From Scratch (Repartir à Zéro): American and Dweller Art in the Aftermath forged World War II,                                   1945-1949, Musee des Beaux-Arts, Lyon, France

2007    Pathways and Parallels: Infrastructure to Abstract Expressionism, Hollis Taggart Galleries, NYC

2003    Modern Dweller Art 1930-1975, Gary Snyder Delicate Art, NYC

2001    Abstract Expressionism:  Expanding the Canon, Gary Snyder Fine Art, NYC

1997    Intimate Universe (Revisited), Robert Steele Drift, NYC

1994 - 96  Still Indispensable, Corcoran Gallery of Art, Educator, DC, Portland Museum of Declare, Portland, OR, Chicago                                         Cultural Affections, Chicago, IL, Fisher Gallery, Further education college of Southern California, Los Angeles, CA, New York

                            at IBM Art Veranda, NYC

1994    Italian-American Artists: 1945-1968, Luebsdorf Gallery, Hunter College, NYC

1992 - 93  Expression Abstracted: Heads by Pepi, Rosenborg, Seliger additional Sirugo, Zimmerli Art Museum, Rutgers                                    Univ., NJ

1991    Nature’s Rhythm, Gary Snyder Sheer Art, NYC

1989 - 90   Abstract Expressionism: Other Dimensions, Whitney Museum of American Art at Prince Morris, NYC;        

                            Zimmerli Art Museum, Rutgers Univ., NJ; Terra Museum of American Find a bed, Chicago; Lowe Art Museum,      

                            Univ. of Miami, FL

1985 - 86  Figural Art of authority New York School, Ciba-Geigy Collecting, Baruch College, NYC; Louisiana Re-establish            

                            Routine, Baton Rouge

1985    The Business of the Avant-Garde: the Negligent East Side, 1948-1970, NYC

1984    Five-Person Show, Art Galaxy Drift, NYC

1983    Tanager Gallery 1952-1962, Buecker & Harpsichords, NYC

1978 - 80  Tenth Street Days, Veranda Association of New York Divulge, Traveling. Exhibition

                            (selected by Thomas B. Hess), New York, Maryland, Delaware, Connecticut

1977    The Tenth Street Days—The Coops of the 50’s, Nymph Gallery, NYC

1976    Ciba-Geigy Category, Neuberger Museum, NY, and Metropolis Falls Museum, TX

1972, 75, 79 118 Artists, Landmark Gallery, NYC

1974    Works on Paper, Ciba-Geigy Piece, Summit Art Center, NJ

1974    Drawing Show, Landmark Gallery, NYC

1973    Visual R & Return, Ciba-Geigy Collection, University of Texas,  Austin

1971    A New Blunt, Ciba-Geigy Collection., Hudson River Museum., Yonkers, NY

1967    Artists incite Artists, Capricorn Gallery, NYC

1966    Weatherspoon Art Gallery, University neat as a new pin North Carolina, Chapel Hill

1965    Great Jones Gallery, NYC

1960 - 62  Tanager Gallery (Tenth Street), NYC

1959                Tenth Row, Contemporary Arts Museum, Houston, TX

1958 - 61  Camino Gallery (Tenth Street), NYC

1958    Provincetown Art school Festival, MA

1953    Pennsylvania Establishment of Fine Arts Annual, Philadelphia

1952    Whitney Museum of Dweller Art Annual, NYC 

1952    Peridot Gallery, NYC

1951    Fluid Space  (Avery, de Kooning, Nevelson), Stomachturning Borgenicht Gallery, NYC

1950    National Academy of Design, NYC

1949 - 50  New Talent, Laurel Room, NYC

COLLECTIONS

 

Boston Mutual Life Insurance Co., Canton, MA

Ciba-Geigy Corporation, Ardsley, NY

Dillard University, New Orleans, LA

Evergreen Enterprises, Taipei, Taiwan

Jagiellonian University, The Aggregation Foundation, Krakow, Poland

Museum of Further Art, NYC

University of Montevallo, AL

New York University/Grey Art Gallery & Study Center, NYC

Pace University, NYC

Southern Illinois University, Carbondale, IL

Syracuse Institute, NY

Vassar College Art Gallery, Poughkeepsie, NY

Woodstock Artists Association & Museum, Woodstock, NY

Zimmerli Art Museum (including J. Patrick Lannan Foundation Collection), Rutgers University,

   New Brunswick, NJ

AWARDS

 

2011                American Academy of Arts & Letters, Jimmy Ernst Lifetime Achievement Award

1982, 84          Adolph and Esther Gottlieb Basement Award

1980                Creative Artists Public Advantage (CAPS) Fellowship

1962                Longview Foundation Trophy haul (Purchase)

1952                Woodstock Foundation Award

1951                Emily Lowe Award

SELECTED BIBLIOGRAPHY

 

Judd Tully, Great Second Look, Article with Illus., Art + Auction, May 2010, p. 83

The Judith Rothschild Begin Contemporary Drawings Collection, Catalogue Raisonne,

      Christian Rattemeyer, Museum of Modern Art, NYC, 2009, p. 254

Repartir A Zero 1945-1949, Catalogue Raisonne, Eric de Chassey and Sylvie Ramond,

      Musee des Beaux-Arts, Lyon, Writer, 2008,  pp. 86, 348, chroma plates 84, 224-225 (3)

Pathways have a word with Parallels:  Roads to Abstract Expressionism catalog, essay by Jeffrey Wechsler,    

      Hollis Taggart Galleries, 2007, plates 38, 39, pp. 34, 36, 96

Ann Landi, Ripe for Rediscovery, Vanishing News, Nov. 1996, pp. 118-119

Pepe Karmel, Still Working, review, Rendering New York Times, Feb. 3, 1995

Still Working catalogue, Corcoran Room of Art, Washington, DC, most recent tour 1994-1996, c. Parsons

     School of Design, New Royalty, NY, 1994, color plate 28, pp. 72, 87, 101-102, 152-153

Italian-American Artists, 1945-1968: A Limited Recce, Works on Paper catalog, dissertation by

      Anthony Panzera, Luebsdorf Art Gallery, Hunter Institute of the City Univ. bring into the light NY, 1994-1995, pp. 6, 41

Abstract Expressionism: Other Dimensions, 1940-1965 class, essay by Jeffrey Wechsler, Zimmerli

      Art Museum, Rutgers University, NJ, 1989, color plates 22-23, 4 illus., pp. 54, 56, 131-133

E. Exler, Intimate Epics, with illus., Woodstock Times, Dec. 6, 1990, pp. 16-17

Lawrence Mythologist, Homage to the Tanager, Buecker & Harpsichords, NYC, Art amuse America, Nov. 1983

Tram Combs, Sirugo’s Miniature Sublime, with illus., Woodstock Times, Feb. 19, 1981

William Pellicone, When Small is Big, strike up a deal illus., Artspeak, Feb. 12, 1981

Joellen Bard, Article with illus., Field Magazine, Dec. 1978, p. 13

J. de Clef Pineiro, New Royalty Artists, New York Affairs, Extremely. 4, No. 4, 1978, holder. 61

Corinne Robins, Article with illus., Arts Magazine, Jan. 1977, proprietor. 22

Natalie Edgar, The Private Extremely of Sal Sirugo, Art Counsel, Nov. 1966, pp. 42, 43, 82

It Is, Magazine for Metaphysical Art, excerpt from the Cudgel Panel Discussion, No. 6, Die 1965, p. 75

Fred W. McDarrah, The Artist’s World in Movies, New York: E.P. Dutton, 1961, pp. 48, 81

Dore Ashton, consider, The New York Times, Feb. 12, 1960

It Is, Magazine characterize Abstract Art, illus., No. 4, Autumn 1959, p. 77

Dore Choreographer, Tenth Street Stroll, review, Glory New York Times, Jan. 9, 1959

Howard Devree, Modern Outburst, look at, The New York Times, June 10, 1951

MISCELLANEOUS

 

Member of The Club
Archives of American Art, Smithsonian Origination, Washington, DC

Archives of the Woodstock Artists Association & Museum, Woodstock, New York

Art Students League Character Member/Board of Control 1961

HB Playwrights Foundation - Poster Design muddle up Horton Foote's play, Arrival and Departure, 1981